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ModeratorRegarding the transformer, it’s simply not possible to make one using an Arduino, a smartphone or a 3D-printer.
I got that! But the question behind was, aren’t power supplies just a matter of voltage rails? Why are they so difficult to replace? The same goes for motors: isn’t it just a thing that… spins?
Regarding the question of originality we both don’t want to discuss, I perfectly understand your point of view and, believe it or not, I’m in. I’m quite conservative and like thing to be as they were when first bought (hence my taste for papers, boxes, brochures …) and when I drift away from that rule, any change I make is reversible. But they’re also lot of vintage stuff that had their gut’s removed to repair a brother but are still in good cosmetic condition. If you let me be a little provocative I have one or two Beograms 12xx that could benefit from a simple motor to drive the platter an be used in manual mode, that would be better than the deck in a cupboard waiting to be chopped until the next house move where they will end in the bin.
I’m not talking about hiding a bluetooth Ikea speaker into a Beolab 5, or trading a delicate Beocord mechanism with the first Radiola cassette player pieces around but just replacing some “basic” components with modern alternative because they are vital and not visible/part of the final sound which is what we want.
Location: Paris France
Hi all members,
I’d like to kindly remind to everyone that Sales/Wanted announcements used to be reserved to Silver and Gold members for obvious reasons. Right now, for technical causes, the “filter” is off, but it would be fair to anyone who’s selling fairly through Beoworld to consider a membership as a “thank you” with benefits!
Running Beoworld is not free and I believe we all could saw how hard it was to keep it alive in the past month, thanks mostly to the underground work of Keith.
So please, enjoy the bargain, fell free to trade, but at some point, remember it!
(greedy Bronze Matador, out…!)
Location: Paris France
Hi,
Beo 6 is central and important for me, two of the three remotes I use daily, the third being a BL5000. Very far from a collectors item on a shelf.
But it’s temperamental: you have to work a little bit to get the better of it, and even then you’ll face issues that were there even when new, like battery life, touchscreen life expectancy, etc…
You’ll find a lot of useful informations in the old forum, including specific third party IR codes or example of uses. and there is also a dedicated page on the main website with a link to a programming guide that worth be studied.
Beo6/5 was badly born/lauched/presented but in the end it makes all the thing “non B&O” people believe a beo4 will do: learn codes, command everything, be magic, with that B&O 90’s charm.
Enjoy…
Location: Paris France
Wasn’t it something about antistatic coating that was very fragile and shall not be removed?
Did you experience anything about that after your works?
Thank you.
Location: Paris France
The belt looks fine…
Location: Paris France
i have one speaker done and it looks wonderful.
That’s great work, thank you for sharing it!
Location: Paris France
Have people just lost interest?
Hi, Jacques.
I think they haven’t, at least in having their stuff getting up and working.
But I feel like people have lost interest in sharing. Lot of valuable, inspiring, and knowledgeable members have left the building and the effect on the whole beoworld community is obvious for anyone here more than two/three years like me.
Some new members try to keep things working but there is an obvious gap with the past and the energy is lost. We mostly share “tips and tricks” than real throughout procedures like in the past. We simply are not that old guard, far from it.
I also think (and I can understand) that some people want to “repair” and other want to “restore” leading in misunderstandings and “fights” (i.e. querelles) about things like purity, originality, good repairs and dirty ones, original parts and bad ones, prices vs love and good or bad way of doing things. Reading back post from the first forum and others from the late BWII shows clearly this.
I find it really sad even if until now I’ve always found what I needed. But with that strange feeling to be a “leecher” more than a “member”.
M.
Location: Paris France
It also was a step by step method to built the above-the-ears triangle pads. It will be available in the old forum as soon as the pictures will be back.
Location: Paris France
Location: Paris France
From my own experience my secondhand Beolab 8000s sounded awful compared to Beovox S45-2, S60 etc. However this may have been because the foam rotted. Certainly several years before when I bought some brand new ones the bass was fine and i thought they sounded amazing.
Same experience here when BL8000’s MK1 replaced S45-2 and then P50’s.
I changed the foam (black rotten with brand new white) and get a little increase in bass but not that much. They still didn’t even compete with my BL4000’s.But the pencils are now driven by a Playmaker with the bass cranked up a little and mostly used to listen to analogue music (Beogram) and I must say I’m happy with it: not those deep chest striking bass but bass low and round enough to my taste. When listening to digital sources they are more “average” but as this is often background music it works also. And as already said, the benefit of the iconic design. It’s not a perfect deal but it’s ok right now. Sometimes I’d like to add a BL2, sometimes not because it is hard to place in my room and wires, etc… The Beolab2 is also quiet expensive even in second hand. There is one around for 350€ but it’s faulty and i don’t know how easy/difficult repairs are on this unit.
aJames, you also compare second hand BL8000’s with brand new you bought years ago. Were the the same mark because the brand new may have been MK2 with improved bass and the second hand MK1, couldn’t they?
Location: Paris France
Always on the edge “Museum Henrik”!
By the way, I wonder how they could fit 5 tracks on one 45 rpm side (and 3 on the other)?
Martin, would you share the other tracks as well?
Location: Paris France
Wow, – now just three left…
You’ve become an influencer Martin! 🙂
Location: Paris France
Please Martin,
We already had that talk here and in private, I reckon I may need to see a doctor or talk to someone or even chill out a bit when it comes to money but I am what I am and we all have our little weird habits. Not to mention our budget limits.
Anyway, if the record was 9€ I would not have considered buying it. So I won’t consider paying 9€ for shipment.
Location: Paris France
(… And I still will make a re-edition, just for the pleasure of it)
Location: Paris France
You’re right, thank you for pointing this to me.
9€ shipping for a 3€ record is a bit too much unbalanced to me.
Nevertheless, I thought this would be more rare and will keep an eye on Discogs.
Thank you Martin.
Location: Paris France
- Hard to find, here…
- Pricey…
- Shipping cost if anywhere else…
- Any combination of the above.
😉
Location: Paris France
That’s sad one can’t easily print his own records, it would have been a nice reedition!
I may make myself one with and old 45′, just to hold it or have it in display! 🙂
Location: Paris France
Hi,
Torx N°5
Location: Paris France
Ok,
After watching this thoroughly and to echoes Trackbeo’s post, there is something that bother me. (Bother me as to be taken as from someone who can’t afford it, if it matters. And also from someone who spend time “reverse engineering” wood lamellas on BL18):
The wood strips are so apart you can see the plastic structure holding them. It would work for a far (should I say “ignorant”) point of view, but to client used to B&O perfection it’s look like a pale copy (not even to mention the totally ‘not B&O forward design’).
It’s easy to criticize when I’m not ever gonna buy it, but still, eager to hear what you think.
Location: Paris France
Being blessed enough with a somebody who would fancy gift me with a Stage if I ever wipe out all the little Yamaha cubes around the sofa, I’d like to know how the it compares with the Theatre in matter of “just” sound, not connectivity or expandability or whatever else. Lest’s say just in terms of sound and “spacialization” (pseudo rear channels).
Location: Paris France
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