New product launch - beosound theatre?
1346 replies
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Any idea on the price for the floor stand?
Here some ideas on prices. They are no bargain
- Floor stand €2400
- Wood finish €1000
https://www.onlineplayshop.nl/beosound-theatre-tv.html
- Floor stand €2400
- Wood finish €1000
https://www.onlineplayshop.nl/beosound-theatre-tv.html
both motorised brackets / stands (wall or floor) are 2800 euro.
Yes, the wood cover is 1000 euro - same as for current BV's I believe.
There is no static floor stand yet - maybe STB later.
Yes, the wood cover is 1000 euro - same as for current BV's I believe.
There is no static floor stand yet - maybe STB later.
I think thats right, its the product many have been wanting.
And glad to see they have gone with a full solution, and not made any big compromises and left important stuff out. Only 2 PUC controls is interesting though. Fine for me (I need 1 to talk to my matrix)....but there may be a few wanting >2 PUC controls.
Waiting to understand matrix integration, and then I'll replace my lounge BV12 with the Theatre plus LG, and next year my Avant with the same again.
And glad to see they have gone with a full solution, and not made any big compromises and left important stuff out. Only 2 PUC controls is interesting though. Fine for me (I need 1 to talk to my matrix)....but there may be a few wanting >2 PUC controls.
Waiting to understand matrix integration, and then I'll replace my lounge BV12 with the Theatre plus LG, and next year my Avant with the same again.
From the photographs, I prefer the straight-edge aesthetics to NOTO's design: this looks bulbous by comparison to the almost-seamless integration in the Contour. I had hoped their decision to rotate the lamellas vertical would lead to the "wings" for larger screens being slide-on lamella "tube-ends" fitting against the vertical seams in the aluminum bottom. Alas wings are only the flat panels, and the soundbar bulge stays the same width. The empty slot space between the bottom of the screen and the top of the speaker bar is unavoidable because of the LG IR receiver "tongue" (and various future-proofed compatible TV screens' similar appendages), but again contrast the Contour (especially black fabric version where the screen's IR receiver all but disappears). The empty space stands out more with gold anodization and a screen with aluminum trim, i.e. LG 2022 versus '20&'21. (P.S. Did it bother anybody else that the lamellas are rounded on the bottoms and chamfered on the tops? [Edit: B&O mini-video shows this, but P-P's video samples are chopped on both top & bottom.])
Neat how the rotating wall bracket adds the extra structure at the bottom of the bar rather than trying to use bolts into the rear of something which itself is supporting quite a bit of extra weight -- but needs to be manufactured economically. Contrast BV 10&11 where there had to be plenty of metal inside the edge moldings to accomodate the hinge attachments. (Aww, no 77" version?!?! Just imagine what that would look/feel like in the room as this slab swings out to knock over your bird cage, sweep the desk, topple nearby floor lamps, create HVAC eddies... just kidding, but no 77" wall bracket is no surprise.)
Looking forward to the Technical Sound Guide for this one... after the mysterious "four" patent filings get approved, I guess. Let us pray for the firmware, because there's so much room for slop when doing proprietary up/down mixing, vs. how is it "supposed" to sound with this movie or that, in this or that encoding from which streaming service, etc. etc, etc. ( Cf. Sennheiser Ambeo and the string of Sonos Arc updates, trying to fix complaints versus happy-campers.)
Related to previous comments, the tear sheet says "OR" for the various wing sizes, not "AND". As regards 8 PowerLink outputs, again the tear sheet is not clear enough: are 8 wireless AND 8 wired external speakers all supported? [Edit: P-P's video answers: Yes. 16 external speakers allowed.] (Also the decision of what the superfluous internal drivers be doing? Cf. Sonos Five tweeters in horizontal vs. vertical orientation. Technical Sound Guide, here we come!)
Neat how the rotating wall bracket adds the extra structure at the bottom of the bar rather than trying to use bolts into the rear of something which itself is supporting quite a bit of extra weight -- but needs to be manufactured economically. Contrast BV 10&11 where there had to be plenty of metal inside the edge moldings to accomodate the hinge attachments. (Aww, no 77" version?!?! Just imagine what that would look/feel like in the room as this slab swings out to knock over your bird cage, sweep the desk, topple nearby floor lamps, create HVAC eddies... just kidding, but no 77" wall bracket is no surprise.)
Looking forward to the Technical Sound Guide for this one... after the mysterious "four" patent filings get approved, I guess. Let us pray for the firmware, because there's so much room for slop when doing proprietary up/down mixing, vs. how is it "supposed" to sound with this movie or that, in this or that encoding from which streaming service, etc. etc, etc. ( Cf. Sennheiser Ambeo and the string of Sonos Arc updates, trying to fix complaints versus happy-campers.)
Related to previous comments, the tear sheet says "OR" for the various wing sizes, not "AND". As regards 8 PowerLink outputs, again the tear sheet is not clear enough: are 8 wireless AND 8 wired external speakers all supported? [Edit: P-P's video answers: Yes. 16 external speakers allowed.] (Also the decision of what the superfluous internal drivers be doing? Cf. Sonos Five tweeters in horizontal vs. vertical orientation. Technical Sound Guide, here we come!)
From the s
My B&O Icons:
I agree a fully framed single unit, like the BV11 / 14 and even Contour, look super coherent and elegant, in a way that is tough to achieve with a two piece.
That said, I think they've done a pretty good job.
If the speaker part also got wider with 65 and 77 inch panel sizes, the whole (wider) theatre would just be so very huge - remember, in the centre speaker array part, the Theatre is 6 inches deep. Continuing that depth for 65 or 77 inches would be so so chunky, I woudl have (for me ) tipped over into unwieldy and inelegant.
Otherwise, I also a intrigued as to how TrueImage and Atmos will co-exist. Having remained firmly stuck in the 5.1 era, it makes me rather apprehensive - but I suspect it will all be fine.
That said, I think they've done a pretty good job.
If the speaker part also got wider with 65 and 77 inch panel sizes, the whole (wider) theatre would just be so very huge - remember, in the centre speaker array part, the Theatre is 6 inches deep. Continuing that depth for 65 or 77 inches would be so so chunky, I woudl have (for me ) tipped over into unwieldy and inelegant.
Otherwise, I also a intrigued as to how TrueImage and Atmos will co-exist. Having remained firmly stuck in the 5.1 era, it makes me rather apprehensive - but I suspect it will all be fine.
Concerning the 2 PUC only, where is it mentionned ?
For me, with 2 PUC connectors, you can usually get 4 IR emitters (I've got double emitters on one cable), the TV has just to use the same connector for 2 PUC, and there houldn't be any interference issue as you're just sending one IR signal to one device at the same time (the general power off can be delayed between devices)
in the product spec sheet....
PERIPHERAL UNIT CONTROL
Integrated Peripheral Unit/Set-top Box Controllerfortwounits,allowingyou to control set-top boxes with the
Bang & Olufsen remote control
PERIPHERAL UNIT CONTROL
Integrated Peripheral Unit/Set-top Box Controllerfortwounits,allowingyou to control set-top boxes with the
Bang & Olufsen remote control
I understand the BeoRemote One is compatible with the Stage and Theatre, does anyone know if the Halo works too?
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