moxxey wrote:
BeoAnna wrote:
Is the Balance really a downgrade from the BeoSound 2 though? Also, where I'm located I'm only able to get the version with GVA. I understand there's a switch underneath the speaker to disable the microphone, can someone please help me to check whether or not this is a soft or hard switch? I'm quite paranoid about having a microphone in my bedroom so I'll need to know whether or not the "microphone mute" switch will survive a reboot and even factory reset.
I have both. Indeed, I also have a Level, Edge and Stage, too.
The Balance is fantastic, but I'd put the BeoSound 2 slightly above it. It just seems a little brighter, with enough bass. Slightly more of an all-round sound, whereas the Balance is a little more focussed on mid/low-range for me.
However, it's relatively marginal. Here's the order of sound with my ears from my devices:
1) BeoSound 2
2) Balance
3) Level (love this as it's so portable)
4) Stage (better suited for TV audio)
5) BeoSound 1 (portable but weak for me)
6) Edge
I've never got used to the Edge sound. It's just weird.
I am surprised about the Edge. I have had a listen to it once but I cannot remember I would have placed it that low. But you are not the only one that says it sounds weird.
I dropped by my local B&O store for an audition shortly after Oslo had reopened in late August-early September I think, with the aim to listen to some of my test tracks on the Emerge, Level, Balance and Beosound 2, since I had not heard them since the launch. But I was really trying to see if I should buy the Balance or the Beosound 2.
I first tried the Emerge. It sounded pleasing to me but clearly pretty weak already around 50% volume. I might still get one later though. Somehow the sound of the Level did not come across equally pleasant to me but it was obviously a big step-up from the Emerge. I somehow expected something slightly bigger. It is perhaps just tuned more towards the mids, so I would probably adjust its sound settings if (or rather WHEN) I got myself one. I still love the Level as a whole.
Next up was the Beosound 2. Weirdly I had never had a listen to itbut I was curious based on my Beosound 1 (which I love by the way, but it is about the performance of an M3 only). The moment I heard the Beosound 2 I was blown away. There was some immediate magic about it that I find hard to describe. It really spoke to me.
When I then auditioned the Balance, I felt it was super close to the Beosound 2. Maybe more punch, but a slightly different tuning. I would really have loved to have the sound of the Beosound 2 in the design of the Balance, including the sound tech of the Balance really (such as room compensation, choice of direction, etc.). The latter argument, the possibility of a Bespoke edition and the Beolink multiroom feature in beta testing was what in the end lead me to buying the Balance. BUT, I still keep thinking about that "wow"-factor I experienced at my dealer's when I heard the Beosound 2. Really close, the Balance and the BS2, but I do agree that the BS2 has a hint of magic to it that places it slightly ahead of the Balance for me. That said though, every time I listen to the Balance (or both of them for that matter) at home, I still absolutely love it. Both in multiroom and in stereo, now that the latter works :).
And what I find even more interesting is that I have thought much more about the Beosound 2 since Beolink was launched for Mozart products. I have played around with different placements of my Beosound 1 and the two Balances, and multiroom is already fantastic as is, but I know how incredible it would be with a Beosound 2 placed between two rooms with a Balance in each. It would feel like all-embracing on a higher volume. Which the Level might not fit into since it is not omni-directional.
It hurts a bit that they have increased the price so much on the BS2.