Carolpa wrote:
Alex wrote:
That's the theory anyway. It'll still sound great, but you won't have much of the organic, free-of-brittleness and spacious soundstage associated with SACD. It'll probably sound almost identical to a DVD-A disc...
You make it sound like per definition SACD is superior to DVDA.
I disagree..........
I have SACD and DVDA of the same albums. Sometime the SACD sounds better sometimes the DVDA.
This depends on the master which has been put onto the disk. In terms of actual transmission of sound, SACD can sound much better than DVD-A. It just depends on whether the formats receive the same mix from the mastering studio.
Carolpa wrote:
I do not know the term PWM. Can you explain
There are two kinds of digital - Pulse Code Modulation, and Pulse Width Modulation. 99% of digital sources are based on PCM digital - that is, steps of 'up' and 'down'.
Pulse Code Modulation (PCM) looks like this:

Pulse Width Modulation (PWM) looks like this:

There are other variations of both of these formats, but these are the two main types to worry about.
CD, DVD, MP3, WAV, AIFF, Apple Lossless, WMA, digital audio with TV, Blu-Ray audio etc... are all based on Pulse Code Modulation (although some of these formats use lossy compression to compact the data).
SACD is Pulse Width Modulation, and it can sound incredible. The problem is that most of the time, the original signal came from a recording platform which would've been based on Pulse Code Modulation, sort of making SACD a little pointless in many ways. Shame as it's a great format, there just isn't the technical infrastructure in the recording industry to work with PWM.